Sunday, September 9, 2007

Access restriction

Verona is the only city in Italy in which I’ve seen these marvellously stylish no-go signs.
I passed through Verona for a night on my way from Milan to Venice. My thinking was more cathedrals and ruins than Shakespeare. There is an enormous amphitheatre right in the middle of Verona and more medieval churches than I’ve ever seen in such a small perimeter. If only I retained statistics more readily. Byzantine ruins, Romanesque churches, Renaissance churches, it’s all there in fair Verona. Fair Verona, sound familiar? Yes, young lovers, Verona is the city of Romeo and Juliet. Take it from the woman who stayed in Hotel Capuleti, the ill-fated, star-crossed two lure more starry-eyed tourists to Verona than all the churches.

Check out Juliet’s balcony.Romantic, huh? Thousands of notes to Juliet were also pasted to the walls of the corridor leading to the courtyard. Touching.

Let it not be said that I am too hard-hearted to appreciate the romantic spirit. I just went to a very romantic wedding in Venice at which my eyes welled. The romance of Romeo and Juliet, however, escapes me. The young lovers, gormless, scheming, and perhaps a little witless, both die prematurely and unnecessarily. The immortality of their love seems like a feeble recompense for the fact that they didn’t actually get to live that love. Perhaps a few more no-go signs need to be erected around the Shakespearean sites of Verona.

Venice Beach

Fans of Thomas Mann, Eurotrashers, beachcombers, coast-lovers, leopard-print bikini aficionados: here's your Lido.

Hirsute appendages

I am not brave enough to take guerrilla photos of moustaches in Italian cafes but I have been pushing the boundaries of discretion in my admiring observation of the variety of mustachios on show since my arrival in the land of Verdi; bristling, razor-sharp, toothbrush, curlicue, drooperino, dashing, suave, waxed, prinked or uplifted, the moustaches of Italy are pleasing me no end.

It is now, however, clear to me that I have been checking out the B-listers: the 9th World Beard and Moustache Championships took place in Brighton last weekend. This event was organised by the Handlebar Club of Great Britain whose members must display ‘a hirsute appendage of the upper lip, with graspable extremities.’ It’s phrasing like that, particularly the locution ‘graspable extremities,’ that makes me grateful to providence for having deposited my protopersonage on the narrow land at the hour of my birth.

Wednesday, September 5, 2007

Hit and miss

Paninoteca = Sandwich shop

Pinacoteca = Painting gallery

One minor example of the linguistic obstacles which thwart my ability to communicate efficiently and elegantly in Italian. Somehow, the resemblence between Spanish, a language I can speak in a slipshod slapdash almost shipshape fashion, and Italian, a language I really cannot speak has lodged into my brain the idea that it is a better idea to speak to Italians in Spanish than to tell them that I can't speak Italian (no parlo italiano - that I can say) and ask, like every other tourist in the country does, whether they speak English. Anglophone shame: strange phenomenon, and one that I suspect may be both widespread and, as yet, inadequately documented.

Anyway.

There are few obstacles left to thwart the marriage of my friends Pete and Allegra this weekend. The occasion of their nuptials delights me. That the ceremony is taking place in Venice, indeed, in the great gilded marble confection that is San Marco thrills me further. That all of this excitement is occuring simultaneous to the swing of the Venice Film Festival and the end of the Biennale is almost too fabulous. The sun is shining brightly. In order to offset the risk of bedazzlement and to attempt to look the part, I have purchased a new pair of sunglasses. People are asking me for directions. I feel like a total local. Even genuine Italians are asking me for directions. Everybody gets confused when I answer them in Spanish.

Monday, September 3, 2007

Dilemma

I leave Milan for Verona tomorrow and, I regret to confess, it will be the second time I have left Milan without having gratified my ardent desire to eat osso buco con risotto milanese in Milan. To catch a morning train or to stay for lunch? This is the question upon which I will sleep.

Structures of authority

Milano Centrale railway station is often cited as the ne plus ultra of fascist architecture. It's big. It imposes. Its columns are guarded by lions and eagles. It has daunting dimensions. The state that built it could clearly crush any whimsical individual like an ant. There are photos of it all over the place. The columns girding this building also warrant a mention in the annals of fascist architecture. Straight to the point, the lads from the armed rapid response unit. Grenades and an eagle in the one column! You can find this on via Brera, Milan, as you walk towards La Brera, the art school which just happens to house a spectacular collection of Renaissance paintings.

Say yes to cheese

Unless both my source and my memory are incorrect, the term ‘polentini’ is used by southern Italians to denigrate their polenta-eating northern brethren. How anyone could possibly mistake an appetite for polenta for something worth derogation is entirely beyond me.

I didn’t jump on a train from Milan to Bergamo solely to eat polenta. No, I was there in order to elevate my spirit through contact with a combination of historical architecture, views, cobblestones, ramparts, churches, frescos, local colour, citadel, and Donizetti. Lake Como isn't too far from Bergamo and Byron was certainly elevated by his trip there. I walked up a very significant hill reach the old city - cobblestones, they’re mighty hard work – and on the way, I took in enough bakeries advertising cakes called ‘polenta e ösei’ to figure out that they were a local speciality and to earmark them for consumption later in the day.

My calculation of a good time to visit Bergamo wasn’t exactly on the money. Being a Monday, all the museums were closed. Being September 2007, the cathedral and basilica were shut for refurbishment. Fortunately, the restaurants were open and a polentissimo lunch was the highlight of my very civilised daytrip to Bergamo. There were many more interesting options than the mushrooms sautéed with garlic and parsley, served with a cheese and polenta cake but I chose this one because it almost resembles something I would cook chez moi. Ah, kitchen nostalgia: polenta tart with leek and blue cheese, garlicky mushrooms in red wine, token leafy greens… Anyway, chez Donizetti, the mushrooms were thick and slippery and the polenta cake was respectably cheesy.

Eaten in dappled sunlight, under extremely tasteful arches, the dish was let down only by the wine, which in spite of being a soave classico (my future husband, perhaps), was more like an aceto classico. Nonetheless, the meal left me reasonably content and, mindful of the polenta cake I envisaged as an afternoon snack, I only accepted the cheese and dessert menu for the purposes of information glancing. The charade of restraint was over – and really, it’s hard to play an entertaining game of charades on your own – as soon as I saw a cheese plate headed by local Tallegio. I had devoted a small amount of the train ride north to Bergamo to thoughts of Tallegio, a cheese of which I am particularly fond. And so it continued: Tallegio, Vedeseta, Strachitund. The cheeses were so wonderful and so perfectly matched that they made up for the later disappointment of the polenta cakes. I post a bodgy photo of them because that is what they were: bodgy. I’d expected heavy, syrup-soaked polenta delights and what I got was sponge cake topped with chocolate cream and something that might have been chestnut paste, all covered in a too sweet sugar and polenta mixture. Had I foregone the tallegio for the polenta cakes, I would have been sorely disappointed. I’m sure there is a lesson there.

Sunday, September 2, 2007

Form and function

This image offers considerable, if redundant, support to the contention that Italians are an innately suave bunch.
Here we have a sign which elegantly directs the illiterate pedestrian towards the entry to one of Genoa’s metro stations. Not only does the sign work to regulate the flow of pavement traffic, the suavity of this figure, the nonchalance of her carriage - see the insouciant tilt of her head? - and the unstudied certainty of her step suggests to me that mode and place of ingress are of equal importance. Well might my wardrobe be short on tasteful neutrals and long on wrinkles, clumsy has my gait always been, I shall nonetheless endeavour to comply.

I am not alone in the collection of street signs. Rudi kindly sent me notice of Signspotting 2, the second Lonely Planet book devoted to street signs, the preview of which contains some gems.

Drowning or waving?

The shadowy cobblestoned backstreets of Genoa remind me not a little of the labyrinthine dark alleys of Barcelona. Both Genoa and Barcelona seem to have more than their fair share of resident angry students and paint-the-wall activist types spouting political slogans, creatively jamming the perception-circuits of the sallow-souled, compliant many, brightening up the place with a bit of guerilla visual rowdiness. Ah, angry students.

The cheap thrill of postmodern non-cynical directness hasn't completely taken over. How on earth did being cynical and ironic go out of fashion? Thank the Lord, there is room on Genovese walls for Modernist obscurantism, as this sequence demonstrates nicely.

I am also happy to report that the political opinions of the spraycan wielding classes are varied, as this dialogue (sorry, palimpsest) on the right to life of el Chavez reveals. Note the cute ‘lil snail and the 'Housing is a Right' slogan perched above, hopefully soliciting attention.Via Gramsci is the name of the road that runs alongside the port of Genoa; from a hill up near the castle, the view is superintended by the bearded patriarch of all modern ink-based wall disfiguration.

Q. Where might I find me a nymph in Genoa?

A. In the nymphaeum of the Palazzo di Niccolosio Lomellino, of course.